Includes footage from Caress of the Creature, Parachutes, What If?, and various personal works. Music by Lloyd’s All Stars




Five lightboxes consisting of prints generated by custom software. Two video installations consisting of a 64 minute, 46 second animation generated by custom software.
Imagine a piece depicting carelessly selected areas of a moving image in which the color values within said areas create fields of gravitation and emit particles of a mass proportional to their origin brightness value. These particles leave residual paths through the field of time and the point of view is changed when the moving image changes dramatically.
This piece lasts sixty‐four minutes and forty‐six seconds. The source moving image is from the Disney film, Tron. The film was edited down to only the scenes which take place within computer software.




These images are an attempt to abstract human form, by way of computational form. The intention is to challenge the legibility of human-ness—nature, designated beyond man—with the complexities of computer networks—culture, designated within man.
Samples of work created for Student Life Cinema—a great cinema on campus, free for students, and with good taste.
Language as an infinite chain of metaphor. Language buried under a layer of slang. Words by Black Thought go swiftly by. Music by The Roots.




Students were asked to consider critical issues and design concepts related to social and global phenomena.
My chapter dealt with interaction. Not technical interaction, but social and cultural interaction. Using the concepts of appropriation, sampling, and 'remixing', I took the previous chapters as source material and points of departure.
Fluid is observed in a tank, seemingly suspended in time. An alien interface is reflected on the glass, along with a stock ticker displaying surrealist poetry. Soundtrack by 6e.